![]() It is also a space for “pause, shelter and transition between travel and a visit to the natural site,” he says. Chen compares the structure of the pavilion to a painting that has been realised in a physical, contemporary form. The structure primarily serves as a roadside landmark to draw attention to the natural park, featuring a variety of sequences through which it can be approached and many more levels in the way it can be perceived. The general shape – a mountain – is identical for both projects.” In these two projects, mass is an answer to lightness, while stones are cemented together and poles are separated from one another. “They are opposites and yet they complete each other, just like the unity of opposites of Yin and Yang. “My goal was to create a dialogue between these two projects,” Chen explains. The southern gate and tourist centre integrated into the surrounding landscape of the site uses traditional local materials such as stone, wood and bamboo. Depicting a typical Chinese landscape, or ‘shan shui’, the Dragon Mountain Pavilion evokes an image of mountains, forest, clouds and water.Ĭommissioned by Rizhao Fada Jituan, the company in charge of the tourism development of the natural scenic location, the permanent pavilion is the counterpart to the other pavilion that marks the southern entrance to the site both have been designed by architect Aurelien Chen. S et against the backdrop of Rizhao, a coastal city in the southeastern Chinese province of Shandong, an ethereal installation emerges like a mirage from the roadside, marking the southern entrance to Zhulong Shan – the Dragon Mountain Natural Site.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |